AI3. Four left. Disco
Last week… what happened last week? Oh right. George got eliminated on Big Boring Band Night. Bye, George.
Tonight,
after the usual idiotic joke introductions from Ryan, it’s time to do-do it to
Disco.
Guest Judge Donna Summer
looks good I guess, for a great-grandma. Someone at RTVT said she’s a devout
Christian. Oh, is that what explains the slightly pinched, disapproving face
just beneath the veneer of smarmy platitudes? Have I mentioned lately that I’m
fed up with guest judges? Anyway,
I wouldn’t have recognized her if I’d tuned in half way through, without
someone referring to her as Donna Summer. Her career is rehashed for all the
viewers, including those whose parents weren’t even born when Disco was Big.
God, I’m old. I remember
disco. I used to have platform shoes that I never actually wore to go dancing I
wore them to hang around with my friend, climbing trees and fences. Teenagers
were stupid in the ‘70s, too.
For her opener, Jasmine Trias excretes “Everlasting Love.” She says, “Come on everybody,” a
sure-fire way to further alienate her non-fans. I don’t wanna come on, Jasmine. Her hair has been crimped for the
mid-section and it doesn't bother me. She’s chosen a tight black dress. It
might be leather but it’s probably pleather. I guess the look is disco. It’s
ugly enough.
I’m so mean today. It’s
actually not a bad looking outfit, not the worst she’s ever selected. But then
there are a few outfits vying for the title of Worst Outfit of the Season, and
no, I’m not going to dredge up their memories. I know I should. We could all do
with a good laugh. Okay - here's one that comes to mind: George’s red-striped
shirt that made him look like a Baskin-Robbins employee. He even did extra
dipping that evening.
I like Jasmine’s hair but it
looks best straight. The crimping feels genre-appropriate even though it
probably isn't genre appropriate. Wasn’t hair-crimping a Big Band era thing? Or
maybe it was an 80s hair band thing. Whatever. Disco is so long ago and I never
crimped my hair. I don’t even remember the outfits I used to wear. Disco is
really all about the dancing. I just threw on some clothes and shoes in which I
could throw myself around the dance floor and went out to a local disco.
Speaking of dancing, one
might call Jasmine’s movements “dancing” if one were a tree. I call it stumping. Her dress is cut at
the wrong length, making her calves seem extra thick & stumpy. As she
stumps around, I notice the slit up one side of the dress, adorned by a kitschy
purple lightning appliqué. But the
dress is better than the dancing & singing.
The singing. Mr. AMAI goes, “Oh god” in a tone
intended to convey something other than appreciation. I try to identify what it is that’s wrong with the singing.
Maybe those are flat notes, or what has been called “pitchy.” The only thing I know for sure is that
3 cats howling outside would be an improvement. Mr. AMAI charitably thinks she
may be coming down with a cold.
Simon judges first for a
change. He thinks she knows she’s vulnerable and after that bad song choice
& weak performance, his view is she’s definitely gone. Uh oh. Thanks, Simon.
If her fans phone up in droves, we could have to listen to her some more, next
week. This kind of damage can’t be
fixed by having Summerbot and PaulaBot lather on the mindless praise.
But wait. I have breaking
news, or I would have if this were a play-by-play. Just for Jasmine, the women
have elected to go with “honesty.” Donna talks of pitch problems being
something to expect when “you” are performing for a huge crowd. Maybe she
really means herself? Or maybe she really means Jasmine when she employs the
catchall “you.” Nobody else has pitch problems and they all performed for the
same audience. Nobody was
sequestered in a small intimate club with a handful of patrons knocking back
booze and munching on free peanuts. Paula gives props to the dress, and agrees
it was bad. Randy agrees with Simon.
As Ryan does his shtick,
desperate to appear cool (he’s taken to calling Jasmine, “Jazz” fer cryin’ out
loud), I finally look at him for the first time in weeks, possibly even months.
Ryan Seacrest is getting fat. His face has lost that lean hungry look, and he
looks like the cat that had two or three bowls of cream and a side of canary.
LaToya
London does “Love You Inside & Out.” I guess I wasn’t in discos as
much as I thought I. This song is completely unfamiliar. Is it one of those
filler tracks that appeared on a Donna Summer album but never got released as a
single? The dress is stretch Lycra in a plum/eggplant colour and she has the
curves to fill it out, without unsightly lumps and bumps and rolls of pudge.
She’s no stick, she’s got a booty, but she looks good. Earrings are
dream-catcher hoops with 20 strands of silver spaghetti hanging to dry off each
one.
I find myself wondering about
her relationship with her husband. I’m assuming she’s singing this song to him
– doesn’t he inspire more passion than this? It was kind of bland and easily missed.
Simon wishes she’d tried
something different. Yeah, that’s it, something different. Donna thought LaToya
emoted and did a great job. Paula’s huge smile is starting to weird me out. She
thinks she’s looking at the next American Table, oops I mean Idol. Randy says it was nothing special. That
must be my problem too.
I’m losing hope that I shall
ever experience the WOW for LaToya as a finalist that I experienced from one of
her earliest performances, of “It’s Almost Like Being in Love.” That was the
last time LaToya really wowed me.
Being consistent just doesn’t
seem to go hand in hand in the same person with being exciting and thrilling.
Nobody can deliver exciting thrills time after time. I think we have seen solid
steady professionalism on a consistent basis. LaToya is proof. A performer who
can lift you higher than you thought possible will also fail to deliver from
time to time and sometimes you’ll be disappointed. “Slow & steady” is not
deserving of my vote for the #1 spot, when there are two performers who can
deliver thrilling performances.
Her professional polish has
become a liability, in my view, because she isn’t standing out at this crucial
point in the competition. There’s going for a marathon and there’s leaving your
run too late.
Fantasia
Barrino performs Amy Stewart’s “Knock On Wood.” She’s in jeans, with a
one-shoulder hot pink & black top. She’s got a belly button ring. Big pink
earrings. There are a lot of yeah yeahs. She finishes up with a sultry glance
at the end. It’s pretty good, but it’s not her best. I’m afraid I’ve been
saying that a little much lately.
Simon pretzels, “The person who
should win is somebody who is different. And what you have is you are
different.” But I am idiotically
pleased because Simon likes the one who has been my favorite for a long time.
DonnaBot blathers on and on about Fantasia’s wonderful qualities. It seems
phony to me, coming as it does from a guest judge who doesn’t give the
impression she’s really been watching all season. Her hundred positive comments
are meaningless accolades layered on without context. PaulaBot babbles but
that’s par for her course. Randy hits the nail on the head when he says to
Fantasia, “Dude, you got it going on.”
Calling her “dude” seems appropriate. There is something kind of
butch about her.
The song was pretty good, but
again not one of her “wow” performances. I think the problem from the
perspective of song choice is that mainly, disco sucks. It’s not a genre
particularly well suited to showcasing singers, since it’s more about fast
music for dancing. Oh well, let’s push forward.
Diana
Degarmo’s first performance is “This Is It.” She wants us up and on our
feet, as always. Not even for you, Diana. I’m worn out by Survivor. But I do commend her outfit here: a
very pretty pink dress that fits well, shows off her big tits without accentuating
her tummy. She looks curvy and womanly without looking slutty or even
particularly chubby. Excellent outfit.
She’s belting out the song.
It’s one of her better performances, but not an A grade. Minimum solid B.
Simon has wonderful praise
for her: he no longer thinks she’s too young for this competition. She has
shown the most growth. The Bot Sisters babble and whatever Randy said slid
right by me. It was probably positive, because Simon’s comment was.
We’ve been having a lot of ad
breaks, as always. I didn’t bother to note when or how many. I only know that
at some points there were ads, and at other points there was singing. One time,
we got super-sized: two songs without an intervening ad break. There was
probably an ad break just now. Now they start the rotation over to see who, if
anyone, can deliver a “WOW” performance.
Jasmine wants us all dancing. She’s changed outfits; now she has
a pink top and blue jeans. Her choice: “It’s Raining Men.” How appropriate. Jasmine actually
sounds good. For the first time ever I really think she might have a future as
a singer and it might even be within my ability to remember her when she breaks
out with her first single. I
didn’t notice that she missed lyrics, because I got distracted by Mr. AMAI’s
game of Castlevania.
Simon didn’t like the choice
of song. The Bots followed his lead and harped on about pitch and missed lyrics
and I don’t know what else. Randy treats the other comments like a buffet table
and selects a little of this and a little of that. Jazz is crying and we get a
close-up of the tears falling as Ryan gives her a hug.
“Don’t Leave Me This Way” is
LaToya’s second choice. Short denim skirt, white jacket
and a woolen something. Actually this was pretty good, one of her better songs.
Not wow-worthy, but if she’s going to start her run for the finish line, every
performance from here on in has to show depth and connect with more people.
Simon liked it, saying “that was more like it.” It was also as “good as the
original.” Donna: “Fabulous.” Paula: “Stunning.” Randy “Props for you.”
Producers: running short on time.
Fantasia’s second song is “Holding Out For A Hero.” Is this
even Disco? Does Fantasia have a problem selecting songs from the given genre?
Do her fans even care?
For this number she is in
black. Orange round circle earrings. The midriff bearing look isn’t her
best. However, I did like her
performance of this song. Yea. Woo! Which would be “half a wow.” Simon didn’t
like it and Fantasia backchats, “I’m lookin’ for a good man.” The Bot sisters
agree, with Donna adding she would love Fantasia singing the newspaper (or was
that the phone book?) Paula didn’t like the song either but I don’t believe
anything out of her anymore. She always has so much more praise for the less
charismatic and barely talented. Randy says, “No matter what song you choose,
you can sing.” I agree with that.
Fantasia is still my favorite at the moment.
Diana does Donna Summer’s “No More Tears.” She’s also changed into a black outfit
comprised of a sparkly top and matt black pants.
To begin the quiet intro
part, Diana is seated at the edge of the stage on that little step that has
seen quite a bit of action this season. Then she gets up, and as the song picks
up, she grabs it and takes it & us for a real roller coaster ride. She
really blows me away. This awesome performance gets my vote for best of the
night. Her voice has gone from strength to strength. Diana is my new favorite.
Again. As you may be aware, I’ve liked her throughout, but she had some shaky
weeks. Also, just when the others are leveling off, with no extra ability to
pull out of seeming nowhere, Diana demonstrates she has a fifth gear and knows
how to move into it.
Simon gives total respect for
her control of the song. Summer says she dedicated herself to it. And more blah
blah from Paula and Randy, which I miss because I’m having to argue with Mr.
AMAI, who is taking it personally that I like this song. Diana’s performance
inspired me to want to take charge in any situation that has me feeling down,
used & abused. And I was thinking of work stuff, and of my friend who’s
having her own problems. It was a great performance. I am beginning to think
that Diana could win the whole thing and that she would deserve to.
Concluding
Remarks. Overall, I’m a
little tired of this show. I may be getting tired of reality TV in general.
Perhaps it’s just the spectre of my far from finished Survivor finale
recap that’s got me feeling blah.
But the genres of music are generally sucking and one “wow” performance
out of 8 songs is not enough.
With Diana having Best of the
Night, I’d have to say the only other performance that I really liked was,
funnily enough, Jasmine’s “It’s Raining Men.” I thought it was her personal
best. I’m probably in the minority on this. It’ll be ironic if she gets booted
this week.
I rate Diana the best, LaToya
and Fantasia equal second place and Jasmine seriously inconsistent and out of
her league. She deserves to leave; however, I will not be surprised if LaToya
is eliminated. No. Wait a sec. Actually, I will be surprised if her fan base
deserts her now. What I mean is I won’t be disappointed. A final two of Diana
v. Fantasia would be awesome. These two are willing to take risks. When they
deliver a fabulous performance, they knock it out of the stadium.
Thanks for reading.


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